Rigging up a 10m dolly.... Sure, that's no problem! We've done longer than that before! Technically that was for a timelapse set-up and this time around Black Envelope Films needed us to rig for realtime video moves. Repeat moves that is. Timed with precision. For VFX work this precision in repeat moves are crucial. And this is what we can do! Oh, and did we say the dolly needs to carry a fully kitted RED DRAGON?? Nothing that the Shukuma PRO dolly can't handle ;-)

Braai! Did somebody say braai?? Faction Media sure did when they contacted us to shoot this new Television Commercial for Megamaster with them. Now if you don't know what Megamaster is all about, you'll soon find out ;-)

How would you like to know the performance differences between the Nikon D610 and the Canon 6D?

Well, we'd like to know really really bad!! So we're heading out to do a full-on and in-depth review on both these two DSLR cameras, specifically for timelapse photography purposes.

In early November 2013 we set out on a mission to put up two static timelapse cameras in a warehouse to shoot a timelapse of racks & shelving being installed. Little did we know how amazing this shoot will turn out!

As you might know by now we work on a variety of different productions. We travel anywhere, wether local or abroad. There are countless ways that you can incorporate timelapse into any production and with the new Shukuma PRO there are even more ways to produce top quality productions, no matter how big or small!

Yay!! The Australian wine commercial that we rigged the timelapse dollies for earlier in June is finally on air. The entire commercial was shot on the Shukuma DOLLY and it was an interesting combination of timelapse and stop-motion.

The result is fantastic!!

Yes! We do work on commercial sets too!! And it's awesome to work with such talented people like director Marc Molloy and DOP Ryley Brown. What an interesting shoot it was; combining timelapse and stop motion ;-)